A tour of 'Dawn of the Dead's Monroeville mall with Michael Gornick, Tom Savini, Tom Dubensky and Taso Stavrakis. A 34 minute documentary included on the Second Sight boxset.

Feature documentary which profiles both the 1978 film and the career of director George A. Romero, including extensive interviews with all principle cast members and production personnel.

The film takes place in the late 90s. The main character undertakes to organize a competition for young musicians. Who should become the winner of the competition, decided in advance. The performances are attended by unknown musicians representing a variety of musical genres and trends. They have different views on both life and music. Of course, the competition does not go as planned.

Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.

A story where the Cristero Rebellion creates a story of love, passion, and betrayal. When the Federal Rosas and his lover arrive in a town, a local woman feels strangely attracted to him. The woman will surrender under the pretext that the population is liberated when in reality she wants to consummate the passion that ignites her.

Fox将开发《Dead Mall》，该剧由奥斯卡最佳改编剧本得主Nat Faxon和Jim Rash担任编剧并执导。该剧背景设定在一家“死寂商场”，剧名灵感源自当下全国范围内愈发普遍的现象：这些二线商场分布于各地，开业时热闹一时，但很快便无人问津，商场也不再进行维护，最终倒闭，仅留下如死寂般的空壳。以此为背景，该剧主要讲述了一群四十多岁的中年人躲避一个凶残且狡猾杀手的故事，他们或许能凭借自身智慧逃脱魔掌，或许也难逃厄运。

A TV drama consisting of thirteen episodes about the trans-China/Japan collaboration of revolutionaries in the early twentieth century. It was Nagisa Oshima’s rare attempt to direct a TV drama in a social atmosphere in which Japan was embracing postwar prosperity as well as the effects of permeating mass media. Making an effort to reach out to the mass audience through a seemingly conventional method of filmic representation, Dawn of Asia takes up the epic of trans-Asiatic solidarity while challenging nationalism on both sides.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)

The Mesopotamian Marshes, at the delta of the Euphrates and Tigris rivers, in the south of Iraq. This is where Mastour and Zahra grow up. Shortly after their marriage, Mastour and Zahra are forced to separate when the Gulf War breaks out. On the battlefield, Mastour befriends Riad, a young soldier from Baghdad. Mortally wounded, Mastour makes Riad promise to protect Zahra when the war is over. When Riad arrives in the village, he falls deeply in love with Zahra. But unable to bear the loss of her husband, Zahra shuts herself off. In this completely foreign environment that is hostile to this newcomer, and as a new conflict is on the verge of inflaming the whole area, Riad will do the impossible to find his place.